WORK




The morning has gold in its mouth Part I (2017) Water-jet cut copper.



The morning has gold in its mouth Part I (2017) Water-jet cut copper.



Ignore. Fail. Read. Succeed. I (2017) Panel Heater, mixed media.



Ignore. Fail. Read. Succeed. I (2017) Panel Heater, mixed media. (detail)



Ignore. Fail. Read. Succeed. II (2017) Panel Heater, mixed media.



Installation view, INVASIVESPECIES (2017)


INVASIVESPECIES (2017) Spelt, charcoal powder, Fennel seeds, Sea Beet, Rocket, Pacific Oyster. 
Collaboration with Ross McNicol

Just because you rise early doesn't mean the sun will (2017) Dried Japanese Knotweed, steel wire. 
Installation view, INVASIVESPECIES.



Suddenly They Stop (2017) Performance/Installation: 
Metal buckets, plant frost protectors, water, various herbs, wooden beakers.


Suddenly They Stop (2017) Performance/Installation: 
Metal buckets, plant frost protectors, water, various herbs, wooden beakers.


Suddenly They Stop (2017) Performance/Installation: 
Metal buckets, plant frost protectors, water, various herbs, wooden beakers.



Overview Earth Flag (2017), Earth flag, vegetable dyed felt, kitchen leftovers. 
Installation view, Overview.



Installation view, Overview. (2017)





Turner Contemporary & the British Museum Commission: Hannah Lees, Installation view, Turner Contemporary. Image credit: Stephen White. (2016)


Turner Contemporary & the British Museum Commission: Hannah Lees, Installation view, Turner Contemporary. Image credit: Stephen White. (2016)


The Passage of Time (2016) Table, vegetable dye stained wool cloth, replica Roman glassware, Spelt bread, Red wine. Installation view, Turner Contemporary. Image credit: Stephen White.


The Passage of Time (2016) Table, vegetable dye stained wool cloth, replica Roman glassware, Spelt bread, Red wine. Installation view, Turner Contemporary. Image credit: Stephen White.


No more than a handful of years I & II (2016) Replica Roman Samian ware, Bronze-cast olive stone, Date, Apple and Grape seeds. Installation view, Turner Contemporary. Image credit: Stephen White.


Turner Contemporary & the British Museum Commission: Hannah Lees, Installation view, Turner Contemporary. Image credit: Stephen White. (2016)


Tablets XL-XLII (2016) Install view, Workbench.




The oldest thing you can hold in your hand (2016) Install view, Workbench.



The oldest thing you can hold in your hand (2016) Install view, Workbench.



The oldest thing you can hold in your hand (2016) Install view, Workbench.



The oldest thing you can hold in your hand (2016) Install view, Workbench.



The oldest thing you can hold in your hand (2016) Install view, Workbench.



All created things are transitory (2015) Install view, Workbench.



As it is without knowing how it should be I-IV (2016), Install view, Tatjana Pieters


Floated on Foam [] Flew With Birds (2016), Install view, Tatjana Pieters



Floated on Foam [] Flew With Birds (2016), Install view, Tatjana Pieters



I'll never know I-V (2016), Install view, Tatjana Pieters



Floated on Foam [] Flew With Birds (2016), Install view, Tatjana Pieters



Tablets XLI-XLVI (2016), Install view, Tatjana Pieters



Floated on Foam [] Flew With Birds (2016), Install view, Tatjana Pieters



Make it Endure I-VI (2016), Install view, Tatjana Pieters




All That There Is, Is The Eternal Now (2016) Table, vegetable dyed cloth, glasses, bottles, wine residue, Einkorn breadcrumbs. Install view, Tenderbooks.






All That There Is, Is The Eternal Now (2016) Table, vegetable dyed cloth, glasses, bottles, wine residue, Einkorn breadcrumbs. Install view, Tenderbooks.




Perpetual Existence X (2016) Vegetable dyed cloth. Install view, Tenderbooks.




Where The New Can Emerge IV (2016) Wine lees on glass. Install view, Tenderbooks.




I came like water, and like wind I go (2016) Wine lees. Where the new can emerge III (2016) Wine lees, drawing by Jack Lavender, Clipframe. Install view, Tenderbooks.




I came like water, and like wind I go (2016) Wine lees. Where the new can emerge II (2016) Wine lees, Clipframe. Install view, Tenderbooks.





All That There Is, Is The Eternal Now (2016) Window display. Install view, Tenderbooks.




All That There Is, Is The Eternal Now (2016) Window display. Install view, Tenderbooks.




All That There Is, Is The Eternal Now (2016) Window display. Install view, Tenderbooks.



To Open What Is Shut () To Shut What Is Open, Part I: To Bring About Positive Change Published by Tenderbooks on the occasion of All That There Is, Is the Eternal Now, 2016 Softcover, Edition of 50 numbered by the artist 149 x 211mm 


To Open What Is Shut () To Shut What Is Open, Part I: To Bring About Positive Change Published by Tenderbooks on the occasion of All That There Is, Is the Eternal Now, 2016 Softcover, Edition of 50 numbered by the artist 149 x 211mm 



To Open What Is Shut () To Shut What Is Open, Part I: To Bring About Positive Change Published by Tenderbooks on the occasion of All That There Is, Is the Eternal Now, 2016 Softcover, Edition of 50 numbered by the artist 149 x 211mm 






Ground of Being (2016) Succulent plant, suede, found object, bra wires, plywood, 1st Century AD Holy Land pottery bowl. Install view, Lambda Lambda, Lambda.



Being Itself (2016) Resurrection plant, water, cast-iron, animal bone, leather, glass, plywood, 4th-5th Century AD Roman terracotta dish. Install view, Lambda Lambda, Lambda.




I came like water, and like wind I go (2016) White wine lees on wall. Tablets (2016) Plaster, mixed media. 
Install view, White Rainbow. Photo: Noah Da Costa 


Tablet XXXIX (2016) Plaster, malachite green, shell, glass, stone, plastic, glowstick, ceramic. Photo: Noah Da Costa 



Tablet XXXVII (2016) Plaster, ochre earth pigment, bone, shell, plastic, stone, glass, tile, pottery, ceramic. Photo: Noah Da Costa 


Tablet XXXVIII (2016) Plaster, ochre earth pigment, shell, wood, stone, bones, glass, plastic, indian ink. Photo: Noah Da Costa 


Tablet XXXVI (2016) Plaster, purple earth pigment, shell, glass, tile, bone, animal teeth, iron, clay pipe. Photo: Noah Da Costa 



I came like water, and like wind I go (2016) White wine lees on wall. Tablets (2016) Plaster, mixed media. 
Install view, White Rainbow. Photo: Noah Da Costa




In the Earth, in the Air Part II (2016) Glass display case, clay, colour-drip candles, animal bones, oyster shells, beeswax candles, wheat, peacock feather, rose petals, turmeric root, coral, brass pendulum, conifer seed, fish bone, sprouted champak magnolia seed, incense sticks, dried rose, palm leaf, charcoal, incense made with magical intent. 
Install view, White Rainbow. Photo: Noah Da Costa 


In the Earth, in the Air Part II (2016) Detail. Install view, White Rainbow. Photo: Noah Da Costa 



In the Earth, in the Air Part II (2016) Detail. Install view, White Rainbow. Photo: Noah Da Costa 


I came like water, and like wind I go (2016) White wine lees on wall. Install view, White Rainbow. Photo: Noah Da Costa 



I came like water, and like wind I go (2016) White wine lees on wall. Install view, White Rainbow. Photo: Noah Da Costa 




Into eternity of which this vegetable world is but a shadow (2013) Air-dry clay, oyster shells, hand-blown glass, charcoal, incense made with magical intent. Installation view, Exo Exo.




And in the Nowhere I & II (2016) Clay pipe fragments, plastic thread. Installation view, Observer Bld.


A Past and a Future IV (2015) Vegetable dyed felt, polystyrene beads. Installation view, Observer Bld



Tablet XXX (2015) Plaster, gold magnetic sand, coconut shell, coral, stone, pecan shell, lychee stone, limpet shell, animal teeth, cockle shell. Installation view, Seventeen Gallery.




I love not Man the less, but Nature more (2013) Rose of Jericho, glass bowl, water,  
Moor mud heat pack. Time-lapse video credit: Pundersons Gardens




Tablet XXVI (2015) Plaster, shells, brick, pottery, stone, tile. Installation view, Soft Focus Institute.



Tablet Fragment I (2016) Plaster, onionskin dye, cowrie shells, limpet shell. Installation view, Lock Up International. photo credits: Esra Klein.






Let us go then, you and I (2016) Installation view, Grand Union.



In the earth, in the air (2016) Vitrine, air-dry clay, incense sticks, colour-drip candles, painted wheat, oyster shells, palm leaves, animal bones, charcoal, red wine lees, incense made with magical intent. (detail) Installation View, Grand Union.



In the earth, in the air (2016) Vitrine, air-dry clay, incense sticks, colour-drip candles, painted wheat, oyster shells, palm leaves, animal bones, charcoal, red wine lees, incense made with magical intent. (detail) Installation view, Grand Union.



Let us go then, you and I (2016) Glasses, red wine residue, bottles, Einkorn Sourdough bread, vegetable dyed cloth, table, wooden bench (courtesy of Grand Union). Installation view, Grand Union.




Let us go then, you and I (2016) Installation view, Grand Union.



Where the new can emerge I (2016) Red wine lees stains on glass. Installation view, Grand Union.




I came like water, and like wind I go (2016) Red wine lees stains. Installation view, Grand Union.




I came like water, and like wind I go (2016) Red wine lees stains. (detail) Installation view, Grand Union.




I came like water, and like wind I go (2016) Red wine lees stains. (detail) Installation view, Grand Union.




Now and again we rise to the surface I-III (2015) Animal bones, rope. Installation view, The Approach.



LOCAL OBJECTS, Installation View, Ikeyazhang. photo credits: Andrea Rossetti





LOCAL OBJECTS, Installation View, Ikeyazhang. photo credits: Andrea Rossetti





LOCAL OBJECTS, Installation View, Ikeyazhang. photo credits: Andrea Rossetti






LOCAL OBJECTS, Installation View, Ikeyazhang. photo credits: Andrea Rossetti





A light here required a shadow there III (2015) Vegetable dyed wall. Installation view, Cairn gallery.





A light here required a shadow there III (2015) Vegetable dyed wall. (detail) Installation view, Cairn gallery.




A light here required a shadow there III (2015) Vegetable dyed wall. (detail) Installation view, Cairn gallery.




We made circles and balanced them upon squares I (2015) Glass, vegetable dye, enamel paint. Installation view, Cairn gallery.




We made circles and balanced them upon squares II (2015) Glass, vegetable dye, enamel paint. Installation view, Cairn gallery.





Mare's Nest (2015) Vegetable dyed silk, marble. Installation view, Cairn gallery.



Eternal IX (Lanvin Oxygene) (2015) Video loop.




Then/Now (2015) Text. 
www.receptiongallery.com





Ever-Old Newness /|\ Ever-New Oldness (2015) Installation view, The Sunday Painter


Ever-Old Newness /|\ Ever-New Oldness (2015) Installation view, The Sunday Painter.


Ever-Old Newness /|\ Ever-New Oldness (2015) Installation view, The Sunday Painter


Eternal XII (Issy Miyake) (2015) Infinite Video loop.

Ever-Old Newness /|\ Ever-New Oldness (2015) Installation view, The Sunday Painter


Ever-Old Newness /|\ Ever-New Oldness (2015) Installation view, The Sunday Painter

Zauber (2015) MP3 Remixed by Will Ward. Installation view, The Sunday Painter


Our life, that temporary eclipse to that other... (2015) 
Oak aged barrels, copper, amethyst gravel, phragmites australis, water. Installation view, Cell Projects.




As rust consumes the iron which breeds it (2015) 
Outdoor oven, Einkorn sourdough, cheesecloth, Willow basket (made in collaboration with Christina Lees). Installation view, Cell Projects.



As rust consumes the iron which breeds it (2015) 
Einkorn sourdough, Red wine, glasses, cheesecloth, Willow basket (made in collaboration with Christina Lees). Installation view, Cell Projects.





A Past and a Future I & II (2014) Vegetable dyed felt, polystyrene beads. 
A light here required a shadow there I (2015) Vegetable dyed wall (Adzuki beans, Black beans, Black rice, Black lentil, Brown Onion skins, Beetroot, Red Cabbage, Hibiscus/Sorrel, Fennel, Carrot leaves). Installation view, Generator Projects.






A Past and a Future I & II (2014) Vegetable dyed felt, polystyrene beads. 
A light here required a shadow there I (2015) Vegetable dyed wall (Adzuki beans, Black beans, Black rice, Black lentil, Brown Onion skins, Beetroot, Red Cabbage, Hibiscus/Sorrel, Fennel, Carrot leaves). Installation view, Generator Projects.




Gives luminous life to dark matter (2015) Clay, plywood, colour drip candle, Whelk shell, Limpet shell, incense sticks, ash, plinth. Installation view, Generator Projects. photo credits: Erika Stevenson.



Tablet XV (2014) Plaster, vegetable dye, plastic, shell, pottery, stone, glass, crab claw, coral, volcanic rock, peridot/olivina. Installation view, Generator Projects.




Tablet XXI (2015) Plaster, charcoal, plastic, painted wood, oyster shell, stone, glass, shell, volcanic rock. Installation view, Generator Projects.




The Thing is Magic, unimaginable to him who knows not how it is (2013) Vegetable dyed silk, coat hanger, olive stones. Infinite Possibilities of the Present (2014) Liquorice sticks, 3D postcard, brass pendulum.




Infinite Possibilities of the Present (2014) Liquorice sticks, 3D postcard, brass pendulum.




There is nothing certain but uncertainty (2014) Clay, oyster shells, coral, glass, salt, charcoal, incense made with Magical intent.



Eternal Return I (2014) Eucalyptus bark, brass wire. Come and Go (2014) Giant Bamboo sheathes, brass wire. Eternal Return IV (2014) Eucalyptus bark, copper wire. Installation view, The Sunday Painter.



Have None But This II (2014) Pickled silk, Yew Tree wood frame. 





Have None But This III (2014) Pickled silk, Yew Tree wood frame.





Tablet XXV (2015) Plaster, copper powder, bone, pottery, glass, teeth, tile, clay pipe.



To accept what exists once I have recognised that I cannot change it. Part II (2015) 
Sterling Silver-cast Green Olive Stone.



Cover and artwork for Oxford Poetry XV.i Summer 2014


Artwork for Oxford Poetry XV.i Summer 2014



Come and go (2014) Giant Bamboo sheaths, brass wire



Come and go (2014) Giant Bamboo sheaths, brass wire





This is the Path (2014) Website commission for OPENYOURKIMONO 



This is the Path (2014) Website commission for OPENYOURKIMONO



This is the Path (2014) Website commission for OPENYOURKIMONO




Everything that happens simply happens (2014) Table, benches, vegetable dyed cloth, glasses, wine, Einkorn bread, video projection (detail). Installation view, Whitstable Biennale.



Everything that happens simply happens (2014) Table, benches, vegetable dyed cloth, glasses, wine, Einkorn bread, video projection. Installation view, Whitstable Biennale.






A Past and A Future II (2014) Vegetable dyed felt, beanbag beads. Installation view, Paradise Row.





Tablet XIII (2014) Plaster, glass, leather, oyster shells, plastic, stone. Installation view, Paradise Row.







Tablet XIV (2014) Plaster, glass, wood, plastic, glow stick, corn cob, shell, stone, fake flower, fibreglass. Installation view, Paradise Row.









For I cannot change the chance that made me III (2014) 
Whelk shell, silver chain, lavender essential oil.







Beneath it is all dark, it is all spreading, it is unfathomably deep (2014) 
Vegetable dyed cloth. Installation view, Millington | Marriott, Weekends.
(Photo courtesy Tim Bowditch)




Beneath it is all dark, it is all spreading, it is unfathomably deep (2014) 
Vegetable dyed cloths, wood. Installation view, Millington | Marriott, Weekends.
(Photo courtesy Tim Bowditch)




Simple pleasures like eating and drinking are the most satisfying (2014) 
Glass, bespoke tea bag made with magical intent, vegetable dyed cloth. 
Edition of 3. (Photo courtesy Tim Bowditch)




Simple pleasures like eating and drinking are the most satisfying (2014) 
Glass, bespoke tea bag made with magical intent, vegetable dyed cloth. 
Edition of 3. (Photo courtesy Tim Bowditch)






Tablet XI (2014)  Plaster, Red Onion vegetable dye, plastic, glass, coral, shells, crab claws, glow sticks, stone. Installation view, Salt + Powell.





Tablet XI (2014) Plaster, Red Onion vegetable dye, plastic, glass, coral, shells, crab claws, glow sticks, stone. Tablet XII (2014) Plaster, Celery vegetable dye, plastic, glass, coral, shells, crab claws, stone, wood. Installation view, Salt + Powell.




Disappointed human hopes, nothing more (2014) Oyster shells, clay, dried lavender, charcoal, incense made with magical intent. Installation view, SLOPES.




Eternal Return III (2014) Eucalyptus bark, copper wire. Installation view, SLOPES.







For I cannot change the chance that made me I (2014) 
Whelk shells, silver chain, Peppermint essential oil






I was once that which you are, and that which I am you will also be (2013)






The thing is magic, unimaginable to him who knows not how it is (2013) 
Vegetable dyed silk dress, olive stones.






Springs from the imperishable, the source of all life (2013) 
Salt packet, preserved oyster containing a pearl.





And in the small, everlasting and changeless (2013) Himalayan salt, coral.







If I won't burn, where will the light come from? (2013) Table, benches, vegetable dyed cloth, glasses, wine, Einkorn bread, video projection. Installation view, V22.




If I won't burn, where will the light come from? (2013) Table, benches, vegetable dyed cloth, glasses, wine, Einkorn bread, video projection (detail). Installation view, V22.





Eternal (2013) Video projection, Perpetual Existence VII (2013) Vegetable dyed cloth, Definitively Unfinished I (2013) Vegetable dyed cloth, Definitively Unfinished II (2013) Vegetable dyed cloth, Eternal Return III (2013) Eucalyptus bark, copper wire. Installation view, V22.





Eternal (2013) Video projection, Perpetual Existence VII (2013) Vegetable dyed cloth, Definitively Unfinished I (2013) Vegetable dyed cloth, Definitively Unfinished II (2013) Vegetable dyed cloth, Eternal Return III (2013) Eucalyptus bark, copper wire. Installation view, V22.





Perpetual Existence VII (2013) Vegetable dyed cloth, Eternal Return III (2013) Eucalyptus bark, copper wire, Definitively Unfinished II (2013) Vegetable dyed cloth (detail). Installation view, V22.






Moons (2013) Google SketchUp animation.
A mysterious principle which is in connivance with me (2013) 
Red Bronze Cast Grape Seeds.

Tablet X (2013) Plaster, wood, bones, horse chestnut seed, pebble, shell, glass. Installation view, Mihai Nicodim.


Tablet IX (2013) Plaster, glass, oyster shell, coral, stone, bone, horse chestnut seeds, shell. Installation view, Mihai Nicodim.






White Magic (2013
) Glass, stickers, cast aluminium leaf, charcoal, incense (made with magical intent), washing line, hook. (in collaboration with Jack Lavender).



White Magic (2013
) Glass, stickers, cast aluminium leaf, charcoal, incense (made with magical intent), washing line, hook. (in collaboration with Jack Lavender).



To accept what exists once I have recognised that I cannot change it. (2013) 
9ct Gold cast Olive stone.




Perpetual Existence IX (2013) Vegetable dyed cloth.

Nothing new under the Sun (2013) Clay, oyster shells, 
glass, charcoal, incense made with magical intent.



Nothing new under the Sun (2013) Clay, oyster shells, 
glass, charcoal, incense made with magical intent. (detail)



Nothing new under the Sun (2013) Clay, oyster shells, 
glass, charcoal, incense made with magical intent. (detail).


I love not Man the less, but Nature more (2013) Rose of Jericho, glass bowl, water,  
Moor mud heat pack.




Regain what you have left behind (2013) Oyster shells, clay, glass, 
Showers of Gold incense, charcoal, incense made with magical intent.


Perpetual Existence VIII (2013) Vegetable dyed napkin.




Perpetual Existence VII (2013) Vegetable dyed cloth.


VII Everlasting ardent sun (2013) Unique screen-print on cotton 
rag paper, pendulum.




There is nothing certain but uncertainty (2013) 
Clay, oyster shells, coral, salt, glass, charcoal, frankincense.

Perpetual Existence III (2013) Vegetable dyed tablecloth.




Tablet VIII (2013) Plaster, oyster shell, plastic, rubber, stone.


Perpetual Existence I (2013) Onionskin dyed napkin.




Perpetual Existence II (2013) Onionskin dyed napkin.

Eternal (2013) Digital video.

Unchangeable Past II (2013) Vegetable dyed tablecloth.




Unchangeable Past III (2013) Vegetable dyed tablecloth.



The Fertile Crescent Part I (2012) Installation/Performance: Vegetable dyed tablecloths, Vegetable dyed napkin, Terracotta planters, Wooden table & Benches, Glasses, Glazed dishes, Olive Oil, Einkorn, Spelt, Khorasan bread. Installation view, Rod Barton.
The Fertile Crescent Part II (2012) Installation: Vegetable dyed tablecloth, Vegetable dyed napkin, Vegetable dyed & Red wine & Olive oil stained tablecloth, terracotta planters, Goblet Primary glasses with Red wine residue. Installation view, Rod Barton.

Tablet VII (2012) Plaster, glass, metal shrapnel.



Temporal Temporality II-VI (2012) Onionskin and green walnut dyed cotton sheets.




Dune I (2012) Digital collage.





Dune II (2012) Digital collage.
Palm XXXXXI (2012) Digital collage.




Palm XXXXVIIII (2012) Digital collage.


Palm XXXXII (2012) Digital collage.






Palm XXXXIII (2012) Digital collage.





Palm XXXXVI (2012) Digital collage.



To take exquisite pleasure in being alive (2012) Cast Iron.




Lovely (2012) Google SketchUp animation.




Palm XXVIII (2012) C-type print on aluminum, Profanations V (2012) Vegetable dyed cloth, Beginnings (2012) 6 second DVD loop. Installation view, South London Gallery.



Palm XXI (2012) Digital collage.




Palm XXII (2012) Digital collage.




Palm XXXIV (2012) Digital collage.




Palm XXXII (2012) Digital collage.



Smoke I (2012) Digital scan of grey hair.






Smoke II (2012) Digital scan of grey hair.





Smoke III (2012) Digital scan of grey hair.



Palm XI (2012) Digital collage.





Palm XII (2012) Digital collage.






Palm XIII (2012) Digital collage.







Palm XIV (2012) Digital collage.


Palm VI (2012) Digital collage.



Ancient tracks on the moon (2011) Digital collage.






Golden Apple (2011) Sand cast bronze.







Giant Octopus gave (2011) Digital collage.

Where passage from the sacred to the profane becomes possible (2011) Onionskin dyed silk.







Question of existence…Existence as a question (2011) Infinite Loop.
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